Tag Archives: Visual art

Can I Be An Artist? Asking Questions and Finding Answers

PART I

The more I study other artists, both contemporary and historical, the more I question what I do and why. There is the broader question, of course, why do I make art when there are so many other ways to work in this life? As Bauhaus artist, Laszlo Moholy-Nagy stated, “Can I assume the privilege of becoming an artist for myself when everybody is needed to solve the problems of simply managing to survive?” I’ve pondered this question related to my own decision to create art and here’s what I conclude:

Art teaches us to problem solve. It helps us realize our ideas and our feelings. Creating art and viewing art in a thoughtful way helps us understand each other and ourselves. In thinking about the power and purpose of the images and texts in our lives, I am reminded of American Pragmatist, Richard Rorty, who believes, “our task is to sensitize ourselves to the suffering of others, deepen and expand our ability to identify with others, think of others as being like ourselves in morally relevant ways, and reduce suffering and combat cruelty.” (see Why is That Art? by Terry Barrett) Through the creation of imagery and objects, I believe artists can achieve Rorty’s romantic idea of compelling viewers to be more understanding of each other and our circumstances.

Art offers us a visual to the complex issues of our time. And when it is collected, printed in books, and exhibited in galleries and museums, it can serve as a guidebook illustrating society’s most pressing issues and the human condition of the time.

Art can’t be suppressed. As long as there humans, there will be creation. We paint, draw, sculpt, weave, knit, carve, sew, stitch, blow, melt, design, build, craft, band, imagine, throw, fire, print, grind, mold, mix, cut and weld. We use our senses and our minds and our hands. School budgets can be cut, math and science can be favored. Though without this activity, the activity of creating art, there would be nothing. To answer my initial question and the question of Moholy-Nagy, I realize, how can we not be artists?

With that thought, I’ll say good-bye and thank you for visiting! Next week, in Part II, I’ll ask a question many artists ask themselves, Am I good enough?

Advertisements

Staying True to Yourself as an Artist

Her Dreams“Sometimes the people in our lives do not want us to pursue our goals because they do not recognize our art as important. They believe their needs are greater than ours. In other situations, they may just fear change…But no matter what the reason is, the result is that they may consciously or unconsciously apply pressure to keep us playing our assigned social role. As a result, we may be torn between pleasing other people in our lives and pleasing ourselves through creating art.” Elena Parashko, Professional Artist magazine, October/November 2013

Regardless of your support system and how friends and family feel about your work as an artist, I find this quote to be applicable and thought provoking for many of us. We must think hard about what we do and why and be able to defend our career in the face of innocent (though potentially insulting) comments. Other times, we must defend our choice to be a practicing artist amongst more aggressive or manipulative forces.

I have encountered many comments about “my little hobby.” Some people say, “how fun that you get to play with paint all day!” Some people ask what I will do when I finish my painting grad school program and they stare blankly when I respond with anything along the lines of “I hope to become a more professional, accomplished artist” as if it is the most fanciful and ridiculous answer they can imagine. Some seem to wait for me to say, “Just kidding, of course I want to become a museum curator or a high school art teacher!” Of course, there is absolutely nothing wrong with those fine jobs (and I am interested in both). But if you are one of those souls who seems unable to stop being an artist, who reads about art, dreams about compositions, plans vacations around museum exhibits, and draws incessantly, figuring out a way to practice art as a career is simply unavoidable.

Regarding the statement Parashko makes about pleasing others versus pleasing oneself – perhaps this does not have to be an “either/or” situation. Perhaps if you are true to yourself and kind in your thoughts and actions toward others, the people who wind up in your life will fit there while you work as an artist. I suspect those who try to steer you in another direction, try to control you to meet their needs, might find themselves not finding a place in your life…not because you have shunned this person, but because they have inadvertently removed themselves.

I am finally learning that if I make decisions to please someone else, and those decisions conflict with my own goals, then I not helping anyone and will find failure again and again.

Parashko states that perhaps others believe their needs are greater then ours. I wonder, do I do this to others? Do I try to force my ideas, my goals on others? Have you ever given someone a gift that they might not want but you want it for them? Admittedly, I’m guilty. I’ve done it. But what I realize now is that what they want for themselves is more important than what I want for them. And if I try to usurp that power, I am being a controlling bully who will probably find myself without a friend.

So, in the end, I remind myself that even those who try to change me or dismiss my goals as an artist just don’t understand. They are unable to get past their own desires for me. And that’s ok. We don’t all have to fully understand what makes our friends and family tick. But when you find that special friend who does support you as a person and artist, when you have a family member who tries to understand and trusts you to make your own decisions, it is a relationship to treasure. Hug that person and thank them. And then get back to making art.