After a surprisingly mild June, the choking heat of July is upon us here in Arkansas. Consider cooling off by visiting one of many outstanding art exhibits. My favorites so far are at the Arkansas Arts Center, at UA Little Rock, at Crystal Bridges Museum of American Art, and at 21c Hotel. I’ll start with the Arkansas Arts Center (AAC) which, I must admit, holds a dear place in my heart.
As a current mixed media workshop teacher there, I like to promote the AAC as often as possible. However, I have a lifetime of memories starting with early childhood that make me fond of the place. Do you have a place that you can return to after many years, and the smells and sounds make years rush back in one fell swoop? The AAC does that each and every time I step in the door, especially the original entrance which is now the back door and the quickest way to the museum school.
More relevantly, I remember hearing my whole life about the drawing collection started by Townsend Wolfe, the famed and beloved Director and Curator from 1968 until his retirement in 2002. During my visit last week, I started my tour with “Drawing on History: The National Drawing Invitational Retrospective” which re-presents artwork featured in 12 Drawing Invitationals held at the AAC over a 30 year period. The exhibit showcases pieces from well known contemporary artists and the work is sure to impress the most educated art aficionados as well as visitors new to drawing. The variety of work is very relatable, provocative and advanced in concept and technique.
Take, for example, the direct realism of Bill Vuksanovich, (please pardon the reflections in the glass). The boy’s stare grabs viewers and compels us to stare back, which is when we notice the details: the pressed yet wrinkled pants, the slightly awkward hands, the unsettling contrast between the boy’s expression and the word “Champion” on his baggy sweatshirt. This is a piece to be examined just as the boy is examining us.
It is a pleasure to compare and contrast the variety of drawings in this exhibit. For example, we grasp the breadth of the collection as we move from figurative realism to the mathmatical work of Stephen Talasnik and the alternative surface created by Russell Crotty (both in the slide show above).
Exiting the Drawing exhibition and walking toward the Young Arkansas Artists Exhibition (the 56th!), I had to stop and examine a recent acquisition, “Les Demoiselles” which reminds me of my favorite contemporary artists, Firelei Báez. Now I have another artist to study, Zoë Charlton. It just so happens she shows at ConnerSmith in Washington DC which I’ll soon visit (material for another post!). I haven’t done thorough research yet, but find myself hoping these artists know each other – it seems they would have lots to discuss.
The aforementioned Young Artists exhibit is always a crowd pleaser. I come away enthralled and slightly jealous…the skills and ideas presented by such young artists…if only I’d had half their talent and motivation at that age!
This year, I had the honor of being a juror for the show which is not a challenge I recommend for the faint of heart. There were simply too many excellent entries. It was a pleasure seeing the work in person and I look forward to seeing what becomes of these exceptional students.
From there, I visited the much anticipated 59th Annual Delta Exhibition, a regional show that features contemporary artwork from Arkansas, Louisiana, Tennessee, Missouri, Mississippi and Texas. There is really too much to say about this fantastic selection of work so I will mention a few personal favorites.
I would love to meet fellow Little Rock figure painter, Baxter Knowlton, whose painting, “Woman and Dog” is exquisite. The composition and drawing skills are excellent with rich, loose brushwork reminiscent of Lucian Freud. I hope to see more work by this artist. And look at the oddly delightful details in “Being Slipshod” by Arkadelphia artist, DebiLynn Fendley! I’m a tad uncomfortable looking so closely at his moles, curly chest hair, low slung comic strip shorts and dirty, chipped fingernails. But I can’t help myself and stay with this one for awhile. I wonder why he covers his eyes…so we can’t recognize him? So he won’t see us looking? Lastly, at least for the figurative favorites, is this piece by my friend, Jason McCann. I enjoy seeing his work evolve over the years and what I like most about this piece is strong evidence and use of line. With drawn line, McCann has a superior ability to capture a person’s inner qualities with well placed marks.
Pulling myself away from the figurative work, there were many pieces that caught my attention. Looking at these three together, I realize the element of “line” is dominant in each piece, though applied in different ways.
Wait wait, there’s more! “Part 2” coming soon: The Nasty Woman Exhibit at UA Little Rock, hanging out at heavenly Crystal Bridges Museum of American Art, and the powerhouse exhibits at 21c Hotel in Bentonville. Thanks for reading and please visit again!