Tag Archives: Boris Nzebo

Beating the Heat in Arkansas: A Super Cool Art Scene (Part 2)

I visit as often as I can, and have blogged about Crystal Bridges Museum of American Art several times.  As the museum continues to showcase visiting world renowned exhibits, and reorganize the permanent collection, there is always something new to see and more to say about this special place in Bentonville, Arkansas.

I get to visit this time with a dear childhood friend who has never been to the museum.  I try to give her space and not interrupt our outing with my own perspective and excitement about this place. What a treat it is to hear the amazement of a first time visitor who has seen countless museums elsewhere but can’t help to be impressed and delighted by this one.  It makes me proud all over again and deeply grateful to Alice Walton for providing this resource for her community, home state, and beyond.

We arrive during mid day summer heat and decide to start with the inside tour, postponing a visit through the expanded trail system and “Chihuly in the Forest” until the next morning. The collection is a world class wonder, and I am drawn to my favorites again and again: Thomas Eakins, John Singer Sargent, Robert Henri, Max Ferguson, Fairfield Porter, Helen Frankenthaler, Joan Mitchell, Alexander Calder, Donald Judd, Wayne Thiebaud, Alice Neel, Kara Walker…the list goes on and on.

One aspect of the museum experience I’ve been considering lately, is that of community outreach and education.  In other words, what good does it do to have all this great work here? So often, visitors wander through and don’t feel connected or informed by artwork. Crystal Bridges has established a strong education program for the community, reaching out to all types of visitors through targeted events and programming. Instead of wandering aimlessly, visitors really learn about the work, whether it be through the extremely friendly and informed attendants, through school visits, through guided tours, through accessible displays and explanations, or through the many interactive tablets mounted throughout the museum. What does this mean? To me, it means the museum can reveal to visitors the perspective of another person. What a powerful gift! And don’t we desperately need ways to see perspectives different from our own?

After walking through the main galleries, we enter the “Chihuly in the Gallery” exhibit. As usual, learning about the artist, his background, and his various influences made me appreciate the work more than I did before this visit. Perhaps because I am a 2D artist, one of the highlights are the sketches by the artist. While the glass blowing process sometimes alters from the original plan, usually the pieces were produced exactly as described in the sketches, which is impressive.

We then check into a nearby hotel and explore the town square. The food scene in Bentonville is bustling and picking a place for dinner is difficult because of the multiple options. After rave reviews from a friend (thank you, Terri!) we decide on the Italian restaurant, Tavola Trattoria, which is excellent and affordable. Before retiring after a big day, there is more art to see…the always provocative exhibit at 21c Hotel. I’m starting to think a famous artist is following me. OK, if not the man, his art. For those who have read this blog before, you’ll know I am ecstatic to find the work of, you got it, Hank Willis Thomas!

“Raise Up” by Hank Willis Thomas

His work is part of a group exhibit, “Seeing Now” of which Alice Gray Stites, Chief Curator, states, “This multi-media selection of works by over two dozen artists explores what and how we see today, revealing the visible and hidden forces shaping both what the contemporary world looks like, and how we consume and interpret that information—how visual and psychological perception are evolving in the 21st-century.” 

While I want to believe tolerance, integration and acceptance is a growing part of this booming area, I know there is more progress to make to battle racism. Perhaps the work of this brilliant artist can open the minds of people who are still stuck in hate and fear. Willis Thomas is able to take simple-seeming images and allow viewers to understand another person’s perspective, to sense the consequences of our actions, to see how our beliefs can be problematic, and to grasp that ambivalence is actually negligence.

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For example, the two photos above are part of an interactive photography display. Using a phone, viewers can choose to snap pics with the flash on, which exposes details in the image, allowing us to look closely at what is really happening in the photos. Or, visitors can walk on by vaguely aware of the activities and pain occurring in the historic photographs. Brilliant. The artist, in such a simple way, evokes a powerful conclusion: racism will continue in this country if all “races” do not work together as the artist and viewer work together to see and acknowledge what is happening. If white people continue to look away, we will not heal or progress as a society….at least that’s my take-away from another thought-provoking display by Hank Willis Thomas.

Boris Nzebo paintings at The Pressroom in Bentonville

Boris Nzebo painting in the Manchester Art Gallery

Wiped out from long walks and art overload (is that even possible?), we get to sleep early and are ready the next day to hit the trails. First, we visit The Pressroom for breakfast. In addition to the excellent food, I am delighted to spot these three paintings by Nigerian artist, Boris Nzebo. The graphic lines are quite recognizable and I was surprised to see the work in the small Arkansas town – I wrote last summer about admiring his work in a museum exhibit in Manchester, England! It is so strange how, once one pays close attention and develops a a list of  art elements to admire, the world becomes small and repeat finds happen often. Seeing a piece of art by artists we deeply admire feels like seeing an old friend or famous figure. I never tire from the excitement of exploring for this reason.

One could spend hours on the trails around Crystal Bridges but we have to head home soon so we don’t venture far. We enjoy a walk through the exhibit “Chihuly in the Forest,” peek at the Frank Lloyd Wright house, and head for the car. It is helpful to move around before the three hour drive back to Little Rock. Admittedly, the hours fly by as we chat endlessly about art, the ability to incite change through art, and how we can each apply to our own jobs and projects what we learned during our quick adventure. As I drive toward home, my mind is a whirl of ideas and thoughts for upcoming days in the studio. And I think of Chihuly who stated, “I don’t think much about the past. I think more about the future. I prefer to be thinking about what I want to be doing tomorrow.” I completely understand.

Up next, Beating the Heat in Arkansas: A Super Cool Art Scene (Part 3) which will focus on the current “Nasty Woman” exhibit at UA Little Rock. Thank you for reading!

Laura

 

 

 

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Opening Minds through Travel: Noticing the Art of a Place Part 3

Continued from Part 2:

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After five exhilerating and exhausting days in history, art and culture rich London, my daughters and I hopped on a non-stop 2 hour train to York and then Manchester for the more relaxing part of the trip. We still managed to pack in plenty of sites, but weren’t quite as overwhelmed as we were in London. York is a beautiful walled city originally founded by Romans with many ancient Roman sites still evident in the town structure. It was here that Constantine was named Emperor – I sometimes forget how far north the Roman Empire extended. It is also home to York Minster, a glorious gothic style cathedral famous for its facade as well as the stained glass windows, artwork, and crypt. Visiting a church built atop an older church is haunting as well as historic, andDSC_0943 going down below to see the original structure is a thrill. The deep relief carving (here on the left) is one of the artifacts that remains from the orginal structure, a Norman Church built around 1080 AD.

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In addition to York Minster, there are countless stunning sights in this northern English town. A walk on top of the wall itself is marvelous, offering what feels like secret views into gardens, homes, restaurants, courtyards, parks, and over bridges and rivers. Voted the most picturesque street in Britain, The Shambles,

the-shambles-7[2]is thought to be one of the oldest, best preserved medival streets in England. It’s timber overhangs make the already narrow street feel even more intimate and is filled with alluring shops and restaurants. Chocolate shops are a common sight in York, as the town has a long chocolate making history. It is no wonder I felt immediately drawn to the place! Confectionary window displays all over town are  like exquisitely designed jewels…works of art, really. Other beautiful sitDSC_0968es that contribute to York’s allure include the outstanding York Castle Museum with multiple exhibits and an excellent tour of the former prison, Clifford’s Tower with its expansive views, and the gleaming two rivers: the Ouse and the Foss. These rivers were an essential component for York’s earliest settlers, perhaps even Celtic tribes before the Romans arrived. One of our favorite sights was the botanic York Museum Gardens which include Roman ruins and the ruins of St. Mary’s Abbey where Turner famously worked.

One day we ventured into the countryside. Hoping to explore the seaside town of Whitby, we were cut short due to inclement (worse than usual) weather so we decided to tour Castle Howard instead, which is about a 30 minute drive from York’s city center. Even in the rain, Castle Howard was stunning. The artwork and sculpture, both inside and out, was quite overwhelming. This is a good place to explore and get lost. DSC_1007

After four days of the most heavenly pastries, coffees, and chocolates on earth, we sadly departed York and headed for Manchester, where we would spend one final day before returning to the United States. We didn’t quite know what to expect of the industrial soccer crazed city, but the food and art did not disappoint. After tracking down ancient Roman ruins at Castlefield, we headed to the Manchester Art Gallery. Much to my surprise, we were all three more interested in the “Vogue 100: A Century of Style” exhibit than I would have expected. I suppose, after seeing the exhibit “Shaping the Body: 400 Years of Fashion, Food and Life” so recently in York, we were primed to appreciate the nuanced Vogue display where art dominated practicality most of the time.

Another visual treat at the Manchester Art Gallery was the exhibit by Boris Nzebo. The artist’s large bold paintings explore the relationship between humans and their urban environments. As an artist thinking about how to convey and how to integrate people with place, I admire the method and style Nzebo uses to enmesh the person with his or her surroundings. It is the opposite of my approach which attempts to blend the figure with surrounding space. Nzebo uses crisp graphics, patterns, and shapes – his large faces are filled with and defined by architectural lines and urban objects. In one way, his paintings are filled with multiple layers as objects and people fit within other objects and people. On the other hand, the hard-edged lines and patterns flatten the space which unifies the people and the urban elements. IMG_8841

After lunch in the up-and-coming northern quarter of town, we sought respite at a beautiful little cathedral known as “The Hidden Gem” on our way to the John Rylands Library. The is a bibliophile’s nirvana. The collection includes treasures such as John Wesley’s 16th Century Hebrew Bible, notes and letters by Chemist John Dalton, a Gutenberg Bible, and many first editions such as Ulysses by James Joyce. The most famous artifact in the collection is known as Papyrus 52, or the Fragment of the Gospel of John, which is thought to be the earliest portion of any New Testament writing ever found. To read more about the history of the library and its’ special collections, visit: http://www.library.manchester.ac.uk/search-resources/guide-to-special-collections/.John-Rylands-Library-main-reading-room-1024x768

Our grand finale was an evening event, Summer Garden Party, at the Whitworth Museum. We had dinner overlooking a lush garden with live music. There was a perfume station set up for sampling, botanical cocktails, a drama performance about modern isolation – not to mention the exhibits themselves. The Whitworth is home to a renowned sculpture collection, print collection, portrait collection and wallpaper collection. I surprised myself by being most drawn to the teIMG_8775xtile collection; perhaps due to a recent surge of contemporary artists who incorporate fabric and thread into their mixed media creations which exemplifies the blending of fine art and craft that is so hotly discussed these days.

During our final walk in the rain to the regal Midland Hotel, my younger daughter hailed herself a cab and insisted we were finished with the walking part of the trip. I think the little one had no more steps in her so it was time for our adventure to end. A mere 8 hours of flight time and we were transported to another world, where the modern and the ancient coexist. In all of our travels, it was the art and architecture that provided the clearest insight to the enduring truth of a people and place. I’m deeply grateful to our friends who hosted us during parts of the trip and to my family who dug deep to cooperate with a mom who loves to explore and find the art of a place.

As always, thank you for reading.
Up next, Florida art…its not all about the beach!